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Eurovision Lifts 26-Year Ban on Live Instrumental Performance

Євробачення скасовує довготривалу заборону на живі виступи з інструментами Photo: Главком

Competition Rules Undergo a Major Shift

For the first time since 1999, the Eurovision Song Contest has granted a special exception allowing a live instrument on stage. The European Broadcasting Union (EBU) approved a request from the Finnish delegation, permitting violinist Linda Lampenius to perform live during her duet with Pete Parkkonen. This marks a significant departure from the long-standing rule that required all instrumental music to be pre-recorded, effectively banning live instruments from the competition. The performance is scheduled for May 12 in the first semi-final, where the duo will present their entry, "Liekinheitin."

The EBU’s decision came in response to a formal request submitted by the Finnish delegation last month. Notably, the contest eliminated its mandatory live orchestra in 1998, and in 2025, Lucio Corsi was granted permission to play a live harmonica. This latest concession for Lampenius could signal a broader evolution in the contest’s regulations, potentially opening the door for more live instrumentation in future editions.

About the Artists

Linda Lampenius, known professionally as Linda Brava, is 56 years old. She joined the Helsinki Junior Strings orchestra at age eight and toured North America, Europe, and Asia as a teenager. Her solo classical album was released by EMI Classics. Pete Eemeli Parkkonen, 36, rose to fame after placing third on the Finnish talent show "Idols Finland" in 2008. His debut album, "The First Album," topped the Finnish album chart, and in 2014, he won the Finnish version of "Dancing with the Stars."

These rule changes open up new possibilities for artists, which could reshape the European music competition landscape. Allowing live performance may encourage other participating countries to make similar requests, potentially driving greater innovation and diversity in Eurovision acts. This development also highlights the importance of adapting contest rules to meet the evolving demands of the modern music industry.