Olha Tsybulska reveals her wedding hosting fee and explains why no one is booking her

Olha Tsybulska’s experience with wedding events

According to Главком: Ukrainian singer and host Olha Tsybulska has opened up about her work at weddings, noting that she has stopped taking new bookings over the past year due to exhaustion. She stated that her fee for hosting a wedding has increased to €10,000–15,000, but so far no one has agreed to hire her at this higher rate.

Service pricing and job challenges

Tsybulska emphasized that her hosting services cost more than her singing performances, explaining that wedding work is extremely demanding.

“It’s very tough. You’re in heels for 8–9 hours, constantly talking, with your mouth open the whole time. That’s why I now set a price that few are willing to accept-€10,000–15,000. So far, no one has agreed, which means I get a day off,”

the artist shared.

The singer also addressed a controversy surrounding her concert held on Holodomor Remembrance Day. She compared herself to well-known Ukrainians like Lina Kostenko and Verka Serduchka, noting that she does not have the same level of public visibility as some of them. These remarks sparked discussion in the media and among fans.

Tsybulska’s decision to turn down new wedding hosting gigs may signal a shift in her professional priorities and a possible need for rest after years of performing. The rise in her fees also reflects her effort to align compensation with the physical and emotional toll of the job. The controversy over her Holodomor concert highlights the sensitivity required when planning public appearances, as societal reactions can be highly charged.

As Olha Tsybulska navigates her evolving career and the challenges of wedding hosting, the broader context of public sentiment in Ukraine regarding entertainment funding also comes into play. Recent surveys indicate that a significant portion of the population, specifically 69% of Ukrainians oppose financial investments in events like Eurovision, which reflects changing priorities in cultural spending amidst ongoing societal shifts. This sentiment may influence how artists like Tsybulska approach their pricing and public engagements.