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Russian Singer Claims Rights to Pugacheva's Songs, Citing Artist's Departure from Homeland

Victoria Tsyganova demands rights to Pugachova's songs
Російський виконавець стверджує, що володіє правами на пісні Пугачової, посилаючись на її еміграцію. Photo: Главком

Victoria Tsyganova's Statement

According to Главком: Russian singer Victoria Tsyganova has asserted her right to perform songs made famous by Alla Pugacheva, arguing that Pugacheva's departure from Russia justifies this. Tsyganova emphasized that the creative legacy belongs to the composers and lyricists who remain in the country, insisting that songs should not fall silent simply because the original performer has moved abroad. She specifically mentioned her desire to perform the following tracks:

  • This World
  • Where Does Childhood Go

The song 'This World' was written by lyricist Leonid Derbenyov.

The Context of Alla Pugacheva's Situation

Alla Pugacheva, a legendary figure in Russian pop culture, left Russia after condemning the war. Following the full-scale invasion, she relocated to Israel with her husband, Maxim Galkin, and their children. The family has also spent time living in Cyprus and Latvia. In this charged political climate, Victoria Tsyganova stated her belief that 'good songs should always be heard.' She elaborated on the situation, remarking:

This is a songwriting heritage that doesn't belong solely to this Prima Donna. Composers and poets created these works. Just because a person has betrayed the homeland and left, these songs should not stop being performed. - Victoria Tsyganova

Meanwhile, in Ukraine, a concert by singer Mila Nitich featured a video clip of Alla Pugacheva. The solo performance, held at the 'ExpoCenter of Ukraine' National Complex pavilion in Kyiv, was part of Nitich's project rebranding. The video shown announced the laureates of the international 'New Wave 2009' contest, which took place in Jurmala, Latvia. In 2009, Mila Nitich received the 'Golden Star of Alla' award and $50,000 for career development directly from Pugacheva.

Thus, the debate over the artistic legacy of Alla Pugacheva continues, with her work remaining relevant under new circumstances. Tsyganova's comments highlight a contentious view on preserving cultural heritage despite artists' personal choices. The concert by Mila Nitich demonstrates that Pugacheva's influence endures, continuing to inspire new generations of performers irrespective of the current political divisions.

As the discussion surrounding the legacy of Alla Pugacheva intensifies, the recent cancellation of a tribute concert in Moscow highlights the ongoing tensions in the cultural sphere. This decision, influenced by public sentiment regarding Pugacheva's stance on Ukraine, underscores the complex relationship between art and politics. For a deeper understanding of how public opinion is shaping the future of such tributes, you can read more about the cancellation of the tribute concert.

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