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Stupka Reported Mykolaichuk to the KGB Over a Role in 'Stolen Happiness'

Stupka complains about Mykolaychuk in KDB
Ситуація з Миколайчуком і його участю в Викраденому щасті викликала хвилю занепокоєння серед колег. Photo: Главком

A Clash Between Actors

According to Главком: In a recent interview with the YouTube channel 'Painful Topics,' Ukrainian People's Artist Ivan Havryliuk revealed a conflict between actors Bohdan Stupka and Ivan Mykolaichuk that erupted during the production of the film 'Stolen Happiness.' According to Havryliuk, Stupka filed complaints against Mykolaichuk with the Central Committee of the Communist Party of Ukraine and the KGB, ultimately causing Mykolaichuk to lose the lead role in the movie.

Mykolaichuk, who also wrote and directed 'Stolen Happiness,' had adapted the screenplay from a work by Ivan Franko and intended to play the main character himself. However, Havryliuk stated that Stupka-who had already performed the role in a theatrical version-along with director Yura Tkachenko, confronted Mykolaichuk late at night and demanded he hand over the part. When Mykolaichuk refused, it triggered a series of actions by Stupka that changed the course of the film.

“And they eventually did it. They wrote various things about Ivan to the Central Committee of the Communist Party of Ukraine and the KGB,” Havryliuk commented.

Following these complaints, Mykolaichuk was stripped of the role entirely. “They removed him from everything. And from that moment, Ivan began to die,” Havryliuk said, emphasizing the severe toll the conflict took. He went so far as to label Stupka a 'moral murderer of Mykolaichuk,' underscoring the gravity of the situation.

Political Pressure and Fallout

It is also known that Soviet security services attempted to recruit both Havryliuk and Mykolaichuk, but both actors refused to cooperate. Beyond his acting career, Havryliuk served as a member of the Verkhovna Rada, which adds weight to his statements on this matter.

This conflict between Stupka and Mykolaichuk highlights the complex dynamics within Soviet cinema, where personal ambition and political pressure often shaped creative decisions. The loss of the role not only derailed Mykolaichuk's career but also deeply affected his personal life, demonstrating how devastating such disputes could be. Notably, both actors endured pressure from Soviet intelligence agencies, reflecting the repressive political climate of the era.

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